Happy 2021!

2020 may not have been a good year for anything, but it did provide more time to revisit favorite films and catch up on viewing lots of classics that I had never gotten around to watching. I think my favorite film I watched this year was The King.

Other highlights were seeing Parasite in the theater before the pandemic, watching all Wes Anderson films, all the Batman films, and all the Karate Kid films (+ Cobra Kai show). I also fell in love with Red Dwarf again and re-watched and got caught up on all things Star Wars. The "Best in Show" for 2020 has to be The Mandalorian season 2. Well done John Favreau for creating the hands-down best Star Wars film/show/anything (in my opinion). And for making the year end on a higher note.

I'm hoping to keep watching new and old films in 2021 and make a few more themed lists for everyone. And I'm starting with a list of 25 under-appreciated films I love.

Best wishes!

Miracle on 34th Street, revisted

Miracle on 34th Street (George Seaton, 1947)

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Rating: Q=5, P=5 / Average OJ

Scale 1=2, Scale 2=3, Scale 3=3, Scale 4=2

Classic, Holiday, Feel-good

It had been many years since I watched this classic holiday film--the story of what happens when Santa Claus actually does come to town. The Christmas and holiday spirit shines in this one and leaves the viewer feeling that there is hope for humanity. We need more feel-good drama films like this one now more than ever.

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The Mandalorian, Season 2

The Mandalorian, Season 2 (John Favreau, 2020)

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Rating: DSQ=11, SP=7 / Decadence

Scale A=4, Scale B=3, Scale C=4, Scale D=3, Scale E=4

Fantasy, Science Fiction, Star Wars Universe, Epic

The second season of The Mandalorian definitely delivered. And there was a lot that the Star Wars franchise had to deliver, that is for certain. Just like season 1, this installment was a fantastic trip through fantasy worlds and appeals to Star Wars fans and non-fans alike--but, again, it helps to know the universe a little bit. Favreau does throw a lot of Easter eggs at viewers. In season 2 we get some answers and, of course, more questions are asked (season 3, please!) There is also much more character and relationship development, which I appreciated and found extremely interesting, especially in chapter 15: The Believer. Philosophical and moral dilemmas are brought up and we see our favorite bounty hunter wrestle with them. And the season finale is just...epic. Can't wait for more shows and another season!

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Pump Up The Volume

Pump Up The Volume (Allan Moyle, 1990)

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Rating: Q=5, P=6 / Average OJ

Scale 1=2, Scale 2=3, Scale 3=3, Scale 4=3

Coming of Age, High School, Philosophical

I'm not sure why I never saw this film before--it's in that "must see" category of films, for me, just based on the premise. While this certainly is a high school film, it doesn't feel the same as many others made in the 1980s and 1990s. There are similar themes--relationships, angst, loneliness, not fitting in--but the focus is on identity and speaking out. Breaking free from societal expectations. I really liked Christian Slater in this--he is a teen who has a lot to say but is afraid to say it in front of anyone. I certainly felt that way when I was younger and still do, at times. Samantha Mathis also does a great job. A good watch. 

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Arabesque

Arabesque (Stanley Donen, 1966)

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Rating: Q=4, P=4 / Average OJ

Scale 1=2, Scale 2=2, Scale 3=2, Scale 4=2

Mystery, Crime, Noir, Thriller

From the same director famous for Charade, Arabesque is a swirling mystery/crime film. We follow Gregory Peck's character, Mr. Pollock, as he is forced into a mess he tries to understand but no matter what he learns and reveals he just never gets the full story. Sophia Loren is also absorbing to watch. A good number of tense and silly moments balances well to make the film a fun escape. Excellent score by Henri Mancini, too!

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Suddenly

Suddenly (Lewis Allen, 1954)

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Rating: Q=5, P=4 / Average OJ

Scale 1=2, Scale 2=3, Scale 3=2, Scale 4=2

1950s, Crime, Action, Drama

A spine-tingling story with superb dialogue. The great script makes this film feel like you're in the theater watching a play. And because the film only has one scene (the living room) it makes the viewer feel a part of the claustrophobic and tense situation. So much anxiety! Frank Sinatra is amazing and keeps your attention in every way--interestingly, his character, Baron, was the only villain he ever played. A great classic crime/noir film.

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Explorers

Explorers (Joe Dante, 1985)

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Rating: Q=5, P=4 / Average OJ

Scale 1=2, Scale 2=3, Scale 3=2, Scale 4=2

Action, Adventure, Coming of Age, Science Fiction

The debut film for both Ethan Hawke and River Phoenix (not counting TV shows) is a fun family escape but is less about the actual adventure and more about learning to go after your dreams. The story is a little surreal, a little disjointed, a little weird. The young actors are great, though. I found myself wanting more--especially the nostalgia factor the director only introduced with the few adult characters.

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Zathura

Zathura (Jon Favreau, 2005)

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Rating: Q=5, P=5 / Average OJ

Scale 1=3, Scale 2=2, Scale 3=3, Scale 4=2

Science Fantasy, Adventure, Family, Action

This film was a welcome delight! I had read the original storybook by Chris Van Allsburg when I was young, but had missed when this film came out fifteen years ago. It's a great family adventure story, though, full of great visuals and exciting action. The story is simple and that's what makes it so great. A fun escape that I'll definitely watch again someday.

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A Beautiful Day in the Neighborhood

A Beautiful Day in the Neighborhood (Marielle Heller, 2019)

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Rating: Q=6, P=5 / Average OJ

Scale 1=3, Scale 2=3, Scale 3=3, Scale 4=2

Psychology, Complex Relationships, Biopic

What a lovely and emotional film about the complexity of the human experience. Tom Hanks plays Mister Rogers really well and his performance shines. Having watched Mister Roger's Neighborhood practically every day of my childhood and recently reading and watching more about the man behind the show made watching this film a joy. In order to lead our best lives we really do just need to listen to the words of his songs. Mister Rogers was incredibly wise and knew not just what to say but most importantly how to say it.

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The Missouri Breaks

The Missouri Breaks (Arthur Penn, 1976)

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Rating: Q=5, P=4 / Average OJ

Scale 1=2, Scale 2=3, Scale 3=2, Scale 4=2

Western, Action, Crime

On the surface this film is a Western through and through, but it has goofy moments juxtaposed with gruesome killing and disturbing tormenting. It's not easy to watch, at times. The consequences of the lawless "old west" certainly shows in this story. Definitely one of Marlon Brando's weirdest performances.

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Ride Lonesome

Ride Lonesome (Budd Boetticher, 1959)

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Rating: Q=6, P=4 / Average OJ

Scale 1=3, Scale 2=3, Scale 3=2, Scale 4=2

Western, Action, Bounty Hunter

The stark, desolate landscape is a beautiful background for a classic Western film about men trying to outrun the law, redeem themselves, seek revenge and/or find peace. This film has sharp dialogue and great acting. An enjoyable escape.

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Legend

Legend (Ridley Scott, 1985)

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Rating: Q=4, P=3 / Thanks But No Thanks

Scale 1=3, Scale 2=1, Scale 3=2, Scale 4=1

Fantasy, Dark, Adventure

I so want to like this film because the artistry--lighting, visuals, atmosphere--is impressive, but the story is so convoluted and strange that it's just impossible to enjoy, for me. It felt like a conglomeration of Fantasia and Peter Pan and The Chronicles of Narnia. But creepy and cryptic. The best part of the film BY FAR is Tim Curry's performance as the Lord of Darkness. He totally steals the show and leaves you wondering why there wasn't more of him on the screen. This could have been so much better. I'll stick with other 1980s fantasy films like Willow and The Dark Crystal.

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Little Women

Little Women (Greta Gerwig, 2019)

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Rating: Q=7, P=6 / Can't Get Enough

Scale 1=3, Scale 2=4, Scale 3=3, Scale 4=3

Based on novel, Coming of Age, Classic, Civil War era, Feminism

I was eager to watch this film since the 1994 Little Women version played a big role in my childhood. I never fully identified with one particular character, but really loved them all for their uniqueness. In this early version Christian Bale and Gabriel Byrne were both dream loves...and Winona Ryder's fierce, independent portrayal of Jo March was magnificent, to me. So, I had high hopes for Greta Gerwig's version of the beloved story.

Well, she definitely delivered. At first, I wasn't sure if I liked the way she organized the plot, but it grew on me and eventually I found it fit well. And all the actors were superb, especially Saoirse Ronan and Timothee Chalamet. It was a new take on the classic and one I think is perfect for our time.

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The Karate Kid Part II and Part III

The Karate Kid Part II (John G. Avildsen, 1986)

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Rating: Q=5, P=5 / Average OJ

Scale 1=3, Scale 2=2, Scale 3=3, Scale 4=2

Coming of Age, Karate, Martial Arts, Complex Relationships

The second film in the Karate Kid universe is fun and helps develop the wonderful relationship between Daniel and Mr. Miyagi. But I found the film was a little over-the-top and fantastical and could have done so much more. There were some good relationship moments--the best one when Daniel comforts a grieving Mr. Miyagi. So many tears! Sato's nephew and the feud between Miyagi and Sato is really stretching things, though.

The Karate Kid Part III (John G. Avildsen, 1989)

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Rating: Q=6, P=5 / Average OJ

Scale 1=3, Scale 2=3, Scale 3=3, Scale 4=2

Coming of Age, Karate, Martial Arts, Complex Relationships

Again, Part III develops the relationship between Daniel and Mr. Miyagi and I liked it slightly more than Part II if for just one big reason--Daniel struggles and takes the easy route which goes against everything Mr. Miyagi has taught him. This struggle is interesting and hard to watch, but it results in great life lessons. The bad guy characters are all totally outrageous, almost caricatures, but it works somehow. This film also delivers my favorite Mr. Miyagi line: "Daniel-San! OK to lose to opponent. Not OK to lose to FEAR!"

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The Karate Kid, revisited

The Karate Kid (John G. Avildsen, 1984)

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Rating: Q=7, P=7 / Obsession

Scale 1=3, Scale 2=4, Scale 3=3, Scale 4=4

Coming of Age, Karate, Martial Arts, Complex Relationships

After watching both seasons of the Netflix hit show Cobra Kai, which is based on The Karate Kid films, I had to revisit the original. It was wonderful to re-watch and get all the good feels. I love films about father-son relationships and young men forming their identities. This story is still so relevant today, which is why the spin-off show is particularly successful. Bullying and toxic masculinity exists. We need to support and teach young men how to find the balance they need in life. Gangs and violence are not the answer.

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Cobra Kai Seasons 1 & 2

Cobra Kai Season 1 (Various, 2018)

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Rating: DSQ=10, SP=6 / Can't Get Enough

Scale A=3, Scale B=4, Scale C=3, Scale D=3, Scale E=3

Karate, Complex Relationships, Bullying, High School

I was skeptical, at first, that I would like this show. But many people kept telling me I would. And they were all right. It's fantastic. Yes, it is a little soap-opera-like. Yes, it is violent at times. But it's all about masculinity, father-son relationships, coming of age, redeeming yourself, etc. In other words, everything I like in a show. Well worth the watch. If you liked The Karate Kid films, you'll probably like this. And the fight choreography is excellent, too, if that matters to you.

Cobra Kai Season 2 (Various, 2019)

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Rating: DSQ=10, SP=6 / Can't Get Enough

Scale A=3, Scale B=4, Scale C=3, Scale D=3, Scale E=3

Karate, Complex Relationships, Bullying, High School

Everything that I liked about Season 1 continued into Season 2. But even more conflicts and tension and interesting relationship developments. Can't wait for the next!

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Kingdom of Heaven

Kingdom of Heaven (Ridley Scott, 2005)

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Rating: Q=5, P=4 / Average OJ

Scale 1=3, Scale 2=2, Scale 3=2, Scale 4=2

12th Century, Crusades, Religion, War, Action/Adventure

The next film in my quest to watch all things related to the Crusades was Kingdom of Heaven. I enjoyed this film more than I expected, despite the mediocre acting and plot. Orlando Bloom (as Balian) is fine, better than in most of his roles. The whole romance between Balian and Sybilla is unnecessary. And every other character has so little screen time. But the setting, lighting, music, and costumes all helped me feel immersed in the time. I will say that if you aren't at least a little familiar with the history, there would probably be lots of questions.

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The 13th Warrior

The 13th Warrior (John McTiernan and Michael Crichton, 1999)

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Rating: Q=5, P=5 / Average OJ

Scale 1=2, Scale 2=3, Scale 3=3, Scale 4=2

Medieval, Fantasy, Vikings, Epic

I've been really getting into historical fiction stories set during the Crusades, mostly due to reading Robert E. Howard short stories (Lord of Samarcand, etc.) I found it interesting that there are only a few films actually about the Crusades, though many films are set during the Crusades. 13th Warrior came up, though it doesn't mention or even allude to the Crusades. No matter, it's still a good film.

This is a more fantasy than historical fiction, but it does have elements that immerse you in a specific place and time, like all good adventure/journey stories. The acting is great because the characters are great--especially all the Viking warriors. There are some bloody, gruesome scenes and moments of peril (I can't watch underwater escapes, I've discovered). If you like action/adventures, you'll like this.

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1917

1917 (Sam Mendes, 2019)

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Rating: Q=8, P=6 / Can't Get Enough

Scale 1=4, Scale 2=4, Scale 3=4, Scale 4=2

WWI, Drama, Action, Psychological

What a feat, Sam Mendes. This film blew me a way--the story, the setting, and especially the intricate artistry and camera work. The way one long shot (seemingly) makes the viewer feel is incredible. And for me it was frightening. It has the effect of making you feel truly immersed in the action and, in this case, that is the war. When the characters are in the trenches, we are in the trenches. When they are walking or swimming over dead bodies, we are too. The point-of-view shots are so much more intense, the silence is that much more devastating. This film and its story and its characters don't get a break. We go with them on their journey and it is all adrenaline and panic and courage. One of the best war films I've seen.

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SPECIAL: The Best Batman

My husband loves comic books and comic book movies, especially those involving Batman. While I had seen many of the Batman movies before, I felt compelled to re-watch some and determine my favorite. 

First, here is the chronological list of all the Batman movies (just the ones where he is a focus):

Batman: The Movie (1966)

Batman (1989)

Batman Returns (1992)

Batman Forever (1995)

Batman & Robin (1998)

Batman Begins (2005)

The Dark Knight (2008)

The Dark Knight Rises (2012)

I have not included the films in the D.C. Extended Universe (Batman vs. Superman: Dawn of Justice and Justice League) because I haven't seen them and these feel like different films that are equally about Superman or other heroes. I included the 1966 Batman movie but only because it is a stand-alone film. Since it is mostly an extension of the TV show, I've decided not to discuss it in the following sections.

Which actor played Batman best?

Ultimately, I would have to say I like Christian Bale's performances the most. We'll see whether I like Robert Pattinson's version to come in The Batman.

This is a difficult question because Batman is the rather undynamic, surface-level character behind Bruce Wayne. So, frankly, he is...boring. As Batman, all the actors are fairly similar. Michael Keaton's version is fairly quiet, Val Kilmer and George Clooney are both way too talkative and too theatrical, and Christian Bale is more stoic, but generally he is played as all actions and few words. Now, Bruce Wayne...that's a different question.

Which actor played Bruce Wayne best?

Again, I prefer Christian Bale, but mostly because he has far more depth and back-story in Christopher Nolan's trilogy. And Bale is a far better actor, in my opinion. I like to feel connected to characters and so the more I can feel and understand his emotions or drives, the better. Michael Keaton's Bruce Wayne is charming, but so little screen time is devoted to him. I don't like Val Kilmer's Bruce Wayne because he is blunt and arrogant. Do you really think that talking to a psychiatrist about your repressed past with a totally expressionless face and voice will make us like you? Umm, no. The whispery, monotone delivery...ugh. And George Clooney is just...cringe-worthy.

Which actor played The Joker best?

This is a good question. While I love Heath Ledger's Joker for all his nuanced insanity, Jack Nicholson's Joker is evil and scary and hilarious. Neither has a lot of depth (compared to Joaquin's later performance in Joker) but that works just fine in a comic book story. Ledger's Joker feels more real and, therefore, more disturbing. Nicholson's Joker is goofy and cartoonish, like the comics, and this can come off as disturbing, too, but in a completely different way. I'm split on this one. I like them both.

Which villain is my favorite?

Joker? Penguin? Two Face? Riddler? Bane? Catwoman? Scarecrow?

Heath Ledger's Joker usually gets the most attention, and it is well-deserved attention. The Joker is the villain of choice for most of the films. Penguin is absurd, gross, and weird. Tommy Lee Jones's Two-Face is really just a stupider version of Joker. Riddler is eccentric and mad but I like him and am excited to see what Paul Dano does with this character in The Batman. I really loved Tom Hardy's portrayal of Bane in The Dark Knight Rises. The whole story in that film is intriguing and the mystery weaving throughout the trilogy works well. I don't care for Catwoman (Michelle Pfeiffer's version irritates me and Anne Hathaway's is OK). Scarecrow is disturbing and fun, but I'm bias because of how much I love Cillian Murphy. Poison Ivy and Bane are totally ridiculous. But even though Dr. Freeze has some seriously terrible lines and bizarre henchmen (the gang, really?), I do like the character. It could have been much better portrayed.

SO, I guess I will pick Tom Hardy's Bane.

Love Interest?

Vicki Vale? Selina (1 and 2)? Dr. Chase? The random Julie? Poison Ivy? Rachel (1 and 2)? Miranda?

I honestly think that the romance and love interests do nothing for the stories. The Rachel Dawes idea that Christopher Nolan added to his trilogy provides some explanations for Bruce Wayne's behaviors and gives him some more depth, but not much. And it isn't important. Bruce's real motivations come from the murder of his parents. I also find Rachel irritating, especially Katie Holmes' version. Marion Cotillard's Miranda is intriguing but that's because she doesn't really want Bruce, she is playing him. Same with Selina. Like I said, I don't care for Catwoman, so the romantic story involving her just doesn't do it for me. Dr. Chase is really just about sex. It will forever bother me that she is supposed to be smart and wise and yet can't figure out that Bruce is Batman. The random Julie? What is the point of her? And Poison Ivy? Ugh. Vicki Vale is the best character and the best played--by Kim Basinger--so I pick her. But I think a Batman story without a love interest would be much better.

Which film is my favorite?

After rating them all and considering the roles, I choose Batman Begins. Since my favorite part of any Batman film is Bruce Wayne, this makes sense, since he has a lot of screen time and there is a lot of character and relationship development. Despite Katie Holmes. If you consider all three of Nolan's films as one film, though, they are by far the best.

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Wolf Children

Wolf Children (Mamoru Hosoda, 2012)

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Rating: AQ=7, AP=10 / Meant to Be

Scale O=4, Scale P=3, Scale Q=4, Scale R=3, Scale S=3

Animation, Japan, Fantasy, Coming of Age, Identity

What a beautiful story about motherhood, identity, and growing up. Every frame of animation is beautiful, especially the gorgeous scenes of rural, mountainous Japan. And the symbolism of wolf children who have two "sides" their their identity, two sides that only conflict because of society is brilliant to reflect on. Who am I? How must I adapt? Who can I confide in? The mother, Hana, is so loveable and tries so hard. I cried multiple times. Great film.

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Clash of the Titans (1981 and 2010)

Clash of the Titans (Desmond Davis, 1981)

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Rating: Q=5, P=4 / Average OJ

Scale 1=3, Scale 2=2, Scale 3=2, Scale 4=2

Greek Mythology, Action, Fantasy, Epic

This classic myth told with the special effects of the legendary Ray Harryhausen is a fun film to watch, even at nearly 40 years old. Yes, the effects are crude compared to today's standards, but the story has that fantastic nostalgic atmosphere thanks to deliberate pacing and lingering moments. This one feels like an epic from another era. And it has an all-star cast with Laurence Olivier as Zeus. I enjoyed the escape.

Clash of the Titans (Louis Leterrier, 2010)

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Rating: Q=4, P=3 / Thanks But No Thanks

Scale 1=3, Scale 2=1, Scale 3=2, Scale 4=1

Greek Mythology, Action, Fantasy, Epic

This new version is a typical 21st century action film. Unfortunately. This blockbuster pales in comparison to the 1981 version of the myth, most notably because of the acting and writing. They are both just plain uninteresting. The special effects are impressive at times, but the story lacks charm. I never felt connected to Perseus's plight and didn't really understand what was going on or why things were happening most of the time. In my opinion, this can be skipped.

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Wrath of the Titans

Wrath of the Titans (Jonathan Liebesman 2012)

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Rating: Q=4, P=2 / Thanks But No Thanks

Scale 1=3, Scale 2=1, Scale 3=1, Scale 4=1

Greek mythology, Action, Fantasy, Epic

There is a reason I usually stay away from blockbuster action films: they aren't very good. But I do love Greek mythology and enjoy escaping into an adventure, so I watch them occasionally. Wrath of the Titans, to me, is a poorly executed story that relies WAY too heavily on special effects and CGI creatures. And it's too bad, really, because the Tartarus scenes are really impressive (and frightening) and there are great roles played by great actors...who of course didn't get even a decent script to work with. This film is full of troupes and cliches but it wasn't a complete waste of time--I did still enjoy entering the mythological universe.

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Samurai Champloo

Samurai Champloo (Mamoru Hosoda and Shin'ichirô Watanabe, 2004-2005)

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Rating as TV series: DSQ=11, SP=6 / Can't Get Enough

Scale A=4, Scale B=4, Scale C=3, Scale D=3, Scale E=3

Rating as Animation: AQ=10, AP=10 / Meant to Be

Scale O=4, Scale P=4, Scale Q=4, Scale R=4, Scale S=4

I adored this series and relished each episode. So much humor, mystery, stunning artistry, and great stories. The roller-coaster relationships between Jin, Mugen, and Fuu is fun to watch. And I loved feeling as though I was in Edo period Japan...and it was even more enjoyable when modern/futuristic moments found their way into the story. Beatboxing samurai? Baseball? Graffiti artists? So much fun.

Favorite episodes are probably: Akage ijin and Chimimôryô

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Red Dwarf Season XI and XII

Red Dwarf Season XI (Rob Grant and Doug Naylor, 2016)

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Rating: CSQ=10, CSS=8 / Double Whoopee

Scale F=4, Scale G=3, Scale H=3, Scale I=4, Scale J=4

British Comedy, Science Fiction, Science Fantasy

I finally watched the two latest seasons of one of my favorite TV shows of all time. How did I go three years without watching? Well...I was preoccupied with a new relationship and a new niece when this season came out. What a fantastic season--"Twentica" is probably my favorite episode but they were all wonderful. I especially enjoyed the character Butler in "Krysis" and the hilarious polymorphing shenanigans in "Can of Worms."

Red Dwarf Season XII (Rob Grant and Doug Naylor, 2017)

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Rating: CSQ=10, CSS=8 / Double Whoopee

Scale F=4, Scale G=3, Scale H=3, Scale I=4, Scale J=4

British Comedy, Science Fiction, Science Fantasy

Grant and Naylor never seem to run out of ideas for Red Dwarf and I'm so glad. Each episode of each season has something to offer and Season XII was a delight. "Mechocracy" was my favorite episode but the scary relevance of "M-Corp" and the multiverse commentary of "Skipper" were brilliant, too. I love this show so much. Can't wait to see the film that came out in 2020!

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Judy

Judy (Rupert Goold, 2019)

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Rating: Q=6, P=6 / Average OJ

Scale 1=3, Scale 2=3, Scale 3=3, Scale 4=3

Biopic, Judy Garland, Music, 1969, Complex relationships

I have always loved Judy Garland, in fact she was probably one of the first female singers I heard as a young child. Her charm and joyful presence is infectious and her voice was simply larger than life. This story of her final months is revealing and tragic. It shows how her life as a child star in the 1940s led to eating disorders, drug addiction, insomnia, many broken marriages, and depression. Renee Zellweger does a truly impressive job portraying her and singing, too. She so desperately wanted happiness and never failed to stop reaching and dreaming for it.

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The Ballad of Buster Scruggs

The Ballad of Buster Scruggs (Joel and Ethan Coen, 2018)

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Rating: Q=7, P=5 / Can't Get Enough

Scale 1=3, Scale 2=4, Scale 3=3, Scale 4=2

Western, Tall Tales, Vignettes, Philosophical

Growing up, I heard and read lots of fairy tales and folk stories. It's no surprise that I grew to love them, since my mother taught folklore classes and studied the traditional European stories that were told through the ages, around a campfire, on a journey... In America they are tall tales or, in this case, ballads. I also enjoy westerns and stories about the frontier, so The Ballad of Buster Scruggs was a delight for me. This film is actually a collection of vignettes, all with a rather dark or sobering mood, but all beautiful and poignant. The artistry combined with the stories is admirable--very captivating and makes you think.

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Ford v Ferrari

Ford v Ferrari (James Mangold, 2019)

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Rating: Q=7, P=5 / Can't Get Enough

Scale 1=4, Scale 2=3, Scale 3=3, Scale 4=2

1966, Car Racing, Le Mans, Complex Relationships, Drama

 This was a total surprise to me and I was even more surprised in how much I enjoyed the story. Car racing? Me? But this film is so much more than a story about Carroll Shelby and Ken Miles and the 1966 Le Mans. It's a story about competition, taking risks, following a dream, doing the so-called impossible, and living every moment to the fullest. It's also a story about the complexity of friendship. Matt Damon and Christian Bale are great together. A very feel-good film.

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Once Upon A Time In Hollywood

Once Upon A Time In Hollywood (Quentin Tarantino, 2019)

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Rating: Q=7, P=6 / Can't Get Enough

Scale 1=3, Scale 2=4, Scale 3=3, Scale 4=3

1969, Hollywood, Biopic, Nostalgia, Crime

Tarantino has done it again--created a modern day fairy-tale and rewriting of history. Once Upon A Time In Hollywood is brimming with energy, color, nostalgia, and an anxious, restless vibe that is both intriguing and worrying. Much of the story feels like an homage or memoir reminiscent of George Lucas's American Graffiti and Woody Allen's Radio Days, both films that I adore. All three films have a radio soundtrack that acts a powerful narrator. All three are slow-paced and deliberate, caring about the details and little moments as much as the main story. And, in a way, Tarantino's film is also a kind of coming of age--it's a film about the end of an era, the end of two men's careers, the start of a very different world. So much meaning, so much going on. And of course, there is some serious darkness and insane moments that make you feel awful and relieved at the same time. How does he do it?

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Outlaw King

Outlaw King (David Mackenzie, 2018)

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Rating: Q=7, P=6 / Can't Get Enough

Scale 1=4, Scale 2=3, Scale 3=3, Scale 4=3

Middle Ages, Scotland/England, Biopic, Robert the Bruce

I am so thankful that there are filmmakers out there that love the Middle Ages and want to share stories about important events and people of that time period. I know so little about Robert the Bruce, Richard I, and the conflicts of the early fourteenth century. Outlaw King is not only fairly true to history (at least from what I've read) but it is also an engaging romantic story. Mackenzie captures the passionate loyalty of the Scots and the rage and pride of Prince Edward. It really feels like we have gone back in time. It is very bloody and tragic, but a gripping tale.

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The King

The King (David Michod, 2019)

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Rating: Q=8, P=7 / Obsession

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Shakespeare, Middle Ages, Henry V, Biopic

This film floored me. Truly gorgeous lighting and scene, haunting and engaging acting, and a beautiful adaptation of Shakespeare's Henry V. The lines are delivered perfectly and Timothée Chalamet is an amazing actor. I hope to see more of him in future, especially in roles like this one. The King was a refreshing film about a time period I am fascinated by and one that I don't see many films visit. It felt fairly true to both history and Shakespeare's story. Loved it and will definitely watch it again.

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Jojo Rabbit

Jojo Rabbit (Taika Waititi, 2019)

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Rating: Q=6, P=7 / Can't Get Enough

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Dark Comedy, Satire, WWII, Drama, Coming of Age

What a strange and compelling film from Taika Waititi--one of my new favorite directors. I was enamored by how a story about a little boy who is a Nazi/Hitler fanatic and who's mother hides a Jewish girl in their attic could somehow be light-hearted and funny. Don't get me wrong, there are moments here that are gut-wrenching and juxtapositions that are truly dark and morbid. But this story sucks you in and makes you think in ways most war films haven't before. And that Waititi chose to make this film today offers another interesting lens. Great film.

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Dick Tracy, revisited

Dick Tracy (Warren Beatty, 1990)

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Rating: Q=6, P=7 / Can't Get Enough

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Comic book, Crime, Mafia, Thriller

Recently, I decided to re-watch comic book movies. So, that required coming up with a list of movies. For some reason that I can't quite understand, Dick Tracy doesn't show up on anybody's list of favorites or even on any list at all. I tried to find the movie at my local library and they didn't have it. What? This film got 7 Oscar nominations and 3 wins. It's one of the most artistically innovative films I've seen. And after re-watching, I think I would place it in my top 5 of comic book movies. Why don't people remember this one? Here's a nice article I found that shares my sentiments:
https://www.vanityfair.com/hollywood/2015/06/dick-tracy-25th-anniversary

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SPECIAL: Wes Anderson Movies, Ranked

UPDATED 8/9/2023: Added the latest films to the list in red.

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I've been enjoying ranking lists of animated movies, so I thought I'd do another with one of my favorite directors: Wes Anderson. This was also a great excuse to rewatch all the films in chronological order--which I HIGHLY recommend. It's fun to see changes and growth in film artistry, etc. Here's the complete list of all Wes Anderson's films:

• Bottle Rocket (1996)
• Rushmore (1998)
• The Royal Tenenbaums (2001)
• The Life Aquatic with Steve Zissou (2004)
• The Darjeeling Limited (2007)
• Fantastic Mr. Fox (2009)
• Moonrise Kingdom (2012)
• The Grand Budapest Hotel (2014)
• Isle of Dogs (2018)
• The French Dispatch (2021)
• Asteroid City (2023)

#11 Bottle Rocket (1996)

Rating: Q=6, P=4 / Average OJ

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For Wes Anderson's first film, I think this is extremely impressive. I love the quirky dialogue, the simple premise, the music choices, and every deliberate camera angle. Being the Owen brothers debut also makes this movie special. But compared to all his other, later films, this one just doesn't quite rank as highly, for me.

#10 The Life Aquatic with Steve Zissou (2004)

Rating: Q=6, P=5 / Average OJ

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What a crazy film. I think this may be Wes Anderson's strangest and most eclectic film, but it still captivates and keeps you on your seat. This may be the film that most exemplifies Anderson's favorite of plot devices--one he uses in every film, I'd argue--The [heist/escape/hunt/travel/etc] Plan. Usually risky, sometimes with dire consequences, but always well-though-out.

#9 The French Dispatch (2021) see blog post here

Rating: Q=7, P=4 / Average OJ

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#8 The Royal Tenenbaums (2001)

Rating: Q=6, P=5 / Average OJ

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This is the first Wes Anderson film I ever watched. I watched it during my study abroad time in Australia, when I probably watched 4-5 movies each week to "catch up" with my film studies education. Don't worry, I did other things when I was abroad, too! I remember finding the pacing, color symbolism, and character development particularly impressive. I consider this the quintessential Wes Anderson film.

#7 Rushmore (1998)

Rating: Q=6, P=6 / Can't Get Enough

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I have a soft spot for this film, especially since a young Jason Schwartzman reminds me of several of my closest friends in high school. The film shows the beginnings of Wes Anderson's style and narrative preferences. It's a Coming of Age story, so how could I not love it? There is something truly irresistible about a kid who isn't smart (academically or in his decisions), but he has a knack for pretending and getting things started. He just wants to be remembered, and who doesn't?

#6 Asteroid City (2023) see blog post here

Rating: Q=7, P=6 / Can't Get Enough

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#5 Isle of Dogs (2018)

Rating: Q=7, P=6 / Can't Get Enough

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I had not seen this one before (not a re-viewing) and it did not disappoint. What a wonderfully bizarre and entertaining story! I loved the return to stop-motion--nearly a decade after we got Fantastic Mr. Fox--and dogs are always a plus. The best part was the setting of a futuristic Japan. I love how Wes Anderson is able to create a world that seems like it exists but it is also clearly fictional. The Grand Budapest Hotel is another perfect example of that. You can't help but think, "Wait, could there be an island full of trash and abandoned dogs off the coast of a Japan? Of course not, but..." This film is refreshing and also familiar, as it occupies the Anderson-universe. And that's why I love it.

#4 Fantastic Mr. Fox (2009)

Rating: Q=7, P=7 / Obsession

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I love all Roald Dahl stories, and so one that Wes Anderson adapts? So much fun. The first time I watched Fantastic Mr. Fox, I really enjoyed it. The pacing, the stop-motion, the creative moments that bring it to life. Everything. On my second viewing, it was all amplified. It seems I have truly become a connoisseur of animation and stories that involve wild animals.

#3 Moonrise Kingdom (2012)

Rating: Q=7, P=7 / Obsession

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My original blog post comments:
Another absolute gem from Wes Anderson. There is never a dull moment with this film- it is colorful, entrancing, hilarious, bizarre, gorgeous, and witty. Basically, all my favorite things. Fantastic performances, music, and visuals. Anderson knows exactly how to take the simple premise of "guy and girl run away to be together" and make it totally complex, full of memorable side-tracks and details.

#2 The Grand Budapest Hotel (2014)

Rating: Q=7, P=7 / Obsession

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My original blog post comments:

After much anticipation (it was supremely difficult not to read many reviews and articles) I watched the latest Wes Anderson creation. In one word it is: brilliant. It is at once what fans will expect and not what they'll expect. It is quirky, fast-paced, escapist, visually overwhelming and beautiful, and completely chalk-full of intertextuality. But this film is different than many of Anderson's earlier endeavors. The biggest, I believe, is that this is a story about storytelling, not the story itself. It is about characters, not human beings. But it doesn't completely lack emotion, it is just that the emotion is at a different (broader) level. We can't really relate to Gustave, Zero, Agatha, Madame D, or others because they aren't fully real. They are recollections that have become stylized over many decades of reflection. What we can relate to is the desire to remember -- the serious need to remember -- the past. Moonrise Kingdom (still probably my favorite Wes Anderson film) does this, too, in a way. Nostalgia evokes some of the strongest responses.

Ultimately, this film is a tribute. It is a story within a story within a story. It is an homage to early film and melodramatic narratives, and a wild one at that. There are many moments of vaudeville and the silent film era melodramas, cartoons and comic sequences, Film Noir, even Fellini-esque qualities made an appearance. It is incredibly ambitious and meticulous. Many reviewers have likened it to the towering pastry confections that the film's Agatha bakes: "superficially frivolous with thoughtful and contemplative notes," to quote one. Yes, it is light-hearted but the more I analyze and contemplate the film, the more amazed I am at how deep it is. In the end-credits, Anderson notes that the film is much inspired by the works of Stephen Zweig, arguably the most popular writer in the world in the 1920s and 30s but now all but forgotten. Much like the characters, hotel, and long-lost poetry of the film. What is remembered? What becomes history?

#1 The Darjeeling Limited (2007)

Rating: Q=8, P=7 / Obsession

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It's probably no surprise that my favorite of Wes Anderson's films is The Darjeeling Limited. After all, it is a story about three brothers, all of whom are grieving in their own way, troubled and/or lost in their lives. In a way, it is a Returning of Age film (my own term). But it is really a pilgrimage story that I find both hilarious and deeply moving. There are sequences that are ridiculous, beautiful, ugly, dark, and inspiring. Adrien Brody, Jason Schwartzman and Owen Wilson are so perfect in their roles. It's so believable and that is why it pushed it's way to the top spot, for me. While I do love an escape and whimsy and goofiness, it's the stories that feel most real that win over my heart.

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Parasite

Parasite (Bong Joon Ho, 2019)

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Rating: Q=7, P=7 / Obsession

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Drama, Dark Comedy, Social Realism, Thriller

I don't know where to start with this film. Bong Joon Ho has made a masterpiece that is so compelling and so unlike anything I've seen before. He takes elements of many genres to create a movie that is entirely one of a kind. There were moments that made me laugh and cringe at the same time. I found myself holding my breath and tensing my legs, too. Parasite shows all the bad in human beings--the awkward, gruesome, and greedy. The entitled, rude, and offensive. Every line and scene is entirely realistic, despite being completely goofy.

This film is important commentary of the out-of-control, capitalistic society we live in. The film shows us how serious the income inequality and class divisions truly are and what it does to the psyche. For a while, we relish seeing the system overturned--it's fun to lie and cheat and steal from those who are lucky to be fortunate enough not to live in a semi-basement apartment that is flooded with sewage every time it rains heavily. It's fun and feels right because no one chooses to be poor. But soon it isn't fun anymore. We see our faults and are reminded (sometimes subtly, sometimes by force) of the bigger picture. Just like the father says, plans never work out.

Go see this film. It is marvelous.

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