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Rating: DSQ=12, SP=8 / Decadence
Scale A=4, Scale B=4, Scale C=4, Scale D=4, Scale E=4
Mystery, BBC, Sherlock Holmes, Adaptation, Thriller, Sharp Dialogue
The first season of Sherlock was about introductions (or re-introductions): reassuring die-hard Doyle lovers that this show was going to stay true to the stories and still exceed all expectations for any modern-day adaptation. The second was about solidifying: establishing loyal fans (and possibly a cultish reputation) through more marvelous reinventions of the characters and classic mysteries. There arguably has been no better James Moriarty, John Watson, Mycroft Holmes, or Sherlock. I mean, Benedict Cumberbatch completely exudes Sherlock. And how can you not love Andrew Scott's creepy/sexy villain? Anyway...
Season three is most definitely different. Gatiss and Moffat have turned a corner with our beloved characters and now the emphasis is on relationships: the sibling rivalry between Sherlock and Mycroft, the love and marriage of John and Mary, the complex friendship of John and Sherlock, etc. In fact, the episodes do not center around a crime to solve (well, you could say that they still center around a mystery, though). The fascination with how the characters interact and how Sherlock "thinks" is enough to keep watching. And that is a pretty amazing feat for any show, especially an adaptation.
Season three is most definitely different. Gatiss and Moffat have turned a corner with our beloved characters and now the emphasis is on relationships: the sibling rivalry between Sherlock and Mycroft, the love and marriage of John and Mary, the complex friendship of John and Sherlock, etc. In fact, the episodes do not center around a crime to solve (well, you could say that they still center around a mystery, though). The fascination with how the characters interact and how Sherlock "thinks" is enough to keep watching. And that is a pretty amazing feat for any show, especially an adaptation.
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